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American conceptual sculptor (born 1965)

Tom Friedman

Tom Friedman in his Studio in 2016
Born 1965 (age 56–57)

St. Louis, Missouri
Nationality American
Education Washington University in St. Louis
University of Illinois at Chicago
Known for Conceptual Art, Sculpture, Mixed Media, Installation

Tom Friedman (born 1965) is an American conceptual sculptor. He was born in St. Louis, Missouri and received a BFA in graphic analogy from Washington University in St. Louis (1988) and an MFA in sculpture from the University of Illinois at Chicago (1990.). As a conceptual artist he works in diverse media including sculpture, painting, cartoon, video, and installation.

For over twenty years, Friedman has been investigating the viewer/object relationship, and "the space in between."[ane] He has held solo exhibitions at the Museum of Modern Art, New York], Yerba Buena Museum of Art, San Francisco, Magasin 3 in Stockholm, Sweden, The New Museum in New York, the Tel Aviv Art Museum, and others. His work tin can be found in the museum collections of MoMA, Los Angeles Contemporary Art Museum, the Broad Art Museum, the Solomon Guggenheim Museum, The Metropolitan Museum of Fine art, Museum of Contemporary Art, Chicago, and the Museum of Contemporary Art, Tokyo. Friedman lives and works in Northampton, Massachusetts.

Work [edit]

Friedman's sculpture is recognizable for its highly inventive and idiosyncratic use of materials like Styrofoam, foil, paper, clay, wire, plastic, hair, and fuzz. Working autobiographically, he uses painstaking, labor-intensive methods to recreate seemingly random elements from his life. In each piece, he pays obsessive attention to detail, particularly in the replication of the objects that environs him.[2]

Friedman brings humour and childlike wonder as well as grave philosophical issues to each work. With the art object equally departure, he uses everyday, easily understood found materials. He says it'south "enticing and seductive to start with the simple humble object that we all 'call up' we know." His intent is to draw the viewer into the simple dazzler and familiarity of a piece, and then invite them to investigate it further.[3]

Although much of the published work on Friedman's fine art focuses on the materials, information technology is ultimately well-nigh the tension produced through the phenomenological experience of observer, artwork, and space in between. He often refers to his process as "orchestrating an experience."[4] He uses the fine art feel every bit a context for opening people's minds to new ways of seeing, and thinking. To practise then, he has adult a circular logic: a way of investigating the object and whittling information technology down to a core agreement of its metaphor and how it connects to the viewer, in their everyday life, and within societal and philosophical constructs, so back to the object over again.[5]

Career [edit]

Friedman worked closely with Characteristic Inc. for over 15 years. Feature was started in Chicago by Hudson. Friedman eulogized Hudson, maxim, "He understood the development of an artist and their vision. He could run into so clearly the evolution of consciousness of an creative person, and he knew how to button the piece of work to the side by side level."[6] [7]

Friedman held his first solo exhibition in 1991 at Feature in New York. 3 years later, he made his international debut in an exhibition at the Galleria Rauicci/Santamaria in Naples, Italian republic and the Galerie Analix in Geneva, Switzerland.[8] His amalgamation with Feature at this fourth dimension led to a relationship with curator Robert Storr, which led to an exhibition in the Elaine Danhessier Project Serial at MoMa in the spring of 1995 in tandem with Bruce Nauman's "Retrospective." Friedman was the 50th artist in the serial, which focuses on emerging artists. An interview with Storr at this time yielded important information well-nigh Friedman'south process and circular logic.

In 1996 Friedman exhibited with Chuck Close ("Affinities: Chuck Shut and Tom Friedman") at the Art Plant of Chicago, curated by Madeleine Grynsztejn. In that same year, Friedman participated in exhibitions in France and Italy, as well working with curator Paul Schimmel in Brazil for the Sao Paulo Biennale.[9] Notable works from this time period include, Everything (1992–1995), k Hours of Staring (1992–1997), Untitled (Expletive) (1992), Untitled (Aspirin Caput) (1994) and Untitled (Toothpicks) (1995).[10]

In 1999 Friedman was one of 5 resident artists (including Byron Kim, Pauli Apfelbaum, Suzanne McClelland, Lorraine O'Grady) educational activity at Skowhegan Schoolhouse of Painting and Sculpture in Maine.[8] Friedman met John Waters, the visiting artist of that yr, who later on interviewed him for Parkett Magazine. In the interview Friedman spoke of his development equally an creative person over time, likewise as the significance behind his art. On the humor of his work, Friedman said, "there's this misconception that playful thinking is non serious and information technology's not important."[11]

Between 2000–2002 a major exhibition of his work entitled, "Tom Friedman: The Epic in the Everyday", was organized by the Southeastern Center for Contemporary Art (SECCA). The show was exhibited at that place, and traveled also to the Museum of Contemporary Art, Chicago, Yerba Buena Center for the Arts, San Francisco, the Aspen Art Museum, and the New Museum, New York. At this time Friedman was a finalist for the Hugo Dominate Prize at the Guggenheim, an award given to artists accounted the most innovative and influential of the time. In 2002 Friedman was invited to take a solo exhibition at the Fonadzione Prada, Milan, Italy, curated by Germano Celant . A 2 volume catalogue was produced for the exhibition.[12]

Friedman held two solo exhibitions at Gagosian Gallery: "New Work" at the Beverly Hills gallery and "Monsters and Stuff" in London. Both shows yielded extensive monographs.[13]

In recent years, Friedman has built a portfolio of large-calibration outdoor installations, first with Open Box (2007) and Circle Dance (2011), the latter existence permanently installed on Brown University campus in 2012. In 2015, Friedman'south Looking Up (2015) was installed on Park Avenue in New York. Some other rendition of the 33.3' effigy is permanently installed at the Laguna Gloria campus of The Contemporary Austin Texas. Up in the Air, which debuted in 2010 at the Magasin III gallery in Stockholm, marked his first solo exhibition in a Scandinavian state. The installation, consisting of roughly 900 suspended sculptures, connected onto the Tel Aviv Museum of Art betwixt 2014–2015. In 2016, Friedman exhibited works for a group exhibition co-curated by Denise Markonish and Sean Foley entitled "Explode Every Day" at Mass MoCA, North Adams, Massachusetts.[fourteen]

Throughout 2016 and 2017 Friedman focused largely on standalone sculptures. Once continuing on Park Avenue, Looking Upwardly (2015) was moved to Chicago's lakefront where it will permanently remain.[15] In addition, a tertiary edition of the piece was installed at the James Due south. McDonnell Planetarium in St. Louis, Missouri.[16] Friedman continued to work in a public forum, unveiling Huddle (2017), a 10x18 foot piece designed for the Dallas Cowboys installed at their training grounds.[17] In late 2017, Friedman had a solo exhibition at Luhring Augustine entitled "Ghosts and UFOs: Projections for Well-Lit Spaces." The prove, which consisted solely of projections, was a very dramatic shift from Friedman's previous chronology. While a departure from Friedman's past works, The New York Times praised it as, "effortlessly brilliant."[xviii] In 2018, Friedman produced a large body of drawings for a solo exhibition at Stephen Friedman Gallery entitled, "Always The Beginning."[xix] The show was a reproduction and rendering of notebook pages from Friedman'southward sketchbooks spanning 30 years prior. In addition, Friedman released a new book of selected notes and sketches to accompany the piece of work.

Artistry [edit]

In an interview with Los Angeles based writer Dennis Cooper, Friedman spoke in depth on the process and thinking behind much of his art. He revealed to Cooper a disdain for much of his graduate work, which led him to reconsider his image as an creative person. "At this point I sort of dropped the idea of making art; it was more about "discovering a beginning." Friedman remarked. During this time period he completely emptied his studio and created an all white isolation chamber in which he would meditate on objects he brought in from his home. Friedman began at this betoken to movement towards cocky described radical stages of simplification focusing on the process of his piece of work. In pieces like Untitled (1990), eraser shaving formed into a circle, Friedman focused on repetitive actions which became for him "near similar a mantra." This written report of object is also evident in his 1990 writing, Ingredients, a listing of all the questions 1 tin can inquire about an object, organized into three main categories. The object, the location of the object, and the viewer. The questionnaire ended upward being twenty pages long.[xx]

In a 1997 interview with Hudson, Friedman elaborated on his artistic procedure, "I play both the scientist and the experimental discipline...it began as an intellectual process, only is evolving into an emotional understanding." Friedman also went on to say, "In my past work my ideas about alter have been more than nearly transformation: the material'southward transformation from what information technology is into something dissimilar. The ideas surrounding mutation and deviation are interesting to me not just in that they inform the transformation of materials, but also in how they evolve, and depart from each different co-operative of my investigation… the dissimilar ideas that I explore within a body of work range from ideas that opened things upwardly for me, to unifying ideas that connect my separate branches of investigation."[twenty] Friedman further elaborated on this claim in Irvine Fine Arts Center's, "Ideas in Things" in 1999, stating, "I'thou involved in amalgam this phenomenon of myself existence captivated by the work in such a way that 1 or the other of us is going to disappear - it into me or me into information technology."[21]

Awards and recognition [edit]

Throughout his career, Friedman has received numerous awards. In 1993 he received both the Louis Condolement Tiffany Foundation Honor and the Academy Award in Fine art from the American University of Arts and Messages. Friedman also received a grant from The Joan Mitchell Foundation in 2001.[22] Betwixt 1993–1995 he was the Luther Greg Sullivan Visiting Artist at Wesleyan University and in 1999 he had a residency at the Skowhegan School of Painting and Sculpting in Skowhegan, ME.[8] In 2013 Friedman received an Honorary Doctorate Caste in the Arts from the Montserrat College of Fine art.[one]

Friedman'southward piece of work has also been the bailiwick of several books, including a feature in an eponymous Phaidon book. Charlotte Eyerman's Friedman: Upwards in the Air studies the solo exhibition of the same proper noun indepth. Friedman himself has released two books, featuring commentary past Arthur C. Danto, Ralph Rugoff, and Robert Storr, among others. Friedman has been featured extensively in magazines such as Artforum and Frieze.[20] [23] [24] [25]

Selected exhibitions [edit]

  • 1992 - Bonzak Gallery, St.Louis, MO
  • 1993 - Feature Inc., New York, NY
  • 1994 - Galleria Raucci/Santamaria, Naples, Italy
  • 1995 - Projection fifty:Tom Friedman, Museum of Mod Art, New York, NY
  • 1996 - Affinities: Chuck Shut and Tom Friedman, The Fine art Establish of Chicago
  • 1997 - Christopher Grimes Gallery, Santa Monica, CA
  • 1997 - Ynglingagatan, Stockholm, Sweden
  • 1997 - Feature Inc, New York, NY
  • 1998 - Stephen Friedman Gallery, London, Uk
  • 1998 - Plant of Contemporary Art at Maine College of Art, Portland, ME
  • 1998 - Tomio Koyama Gallery, Tokyo, Japan
  • 1999 - Galeria Foksal, Warsaw, Poland
  • 1999 - Galleria Gian Enzo Sperone, Rome, Italy
  • 1999 - Found of Contemporary Fine art, Boston, MA
  • 1999 - On the Brawl: The Sphere in Contemporary Sculpture, DeCordova Museum and Sculpture Park, Lincoln, MA
  • 1999 - Waste Management 'Fine art Gallery of Ontario, Canada
  • 2000 - Tom Friedman, Museum of Contemporary Art, Chicago, IL
  • 2001 - Textile Workshop and Museum, Philadelphia, PA
  • 2001 - Tomio Koyama Gallery, Tokyo, Japan
  • 2002 - Stephen Friedman Gallery, London, UK
  • 2002 - Stichting Fondazione Prada, Milan, Italian republic
  • 2002 - 177th Abbual Exhibition, National Academy of Design Museum, New York, NY
  • 2002 - Sunday Afternoon, 303 Gallery, New York, NY
  • 2002 - Plotting, Carrie Secrist Gallery, Chicago, IL
  • 2002 - Confront Off: a portrait of the artist, Kettle's Yard, University of Cambridge, Cambridge, Uk
  • 2002 - Retrospectacle: 25 Years of Collecting Modern and Gimmicky Fine art, Denver Art Museum, Denver, CO
  • 2003 - Fear Wig, Feature Inc. New York, NY
  • 2003 - Tom Friedman, Gaylen Gerber, Joe Scanlan, Daniel Hug Gallery, Los Angeles, CA
  • 2003 - Undomesticated Interiors, Smith Higher Museum of Art, Newport Eye for Gimmicky Fine art, Snung Harbor Cultural Center, Staten Island, NY
  • 2003 - The Moderns, Castello di Rivoli Museo d?Arte Contemporanea, Rivoli-Torino, Italy
  • 2003 - Stacked, D'Amelio Terras, New York, NY
  • 2004 - Characteristic Inc, New York, NY
  • 2004 - Self-Evidence:Identity in Contemporary Fine art, DeCordova Museum and Sculpture Park, Lincoln, MA
  • 2004 - Symbolic Infinite, The Hudson Valley Middle for Gimmicky Art, Peekskill, NY
  • 2004 - Tomio Koyama Gallery, Tokyo, Nihon
  • 2005 - Feature Inc, New York, NY
  • 2006 - Gagosian Gallery, Beverly Hills, CA
  • 2007 - Pop Fine art Is..., Gagosian Gallery, Britannia Street, London, UK
  • 2007 - Insight?, Gagosian Gallery, Moscow, Russia
  • 2008 - for What you are about to receive, Gagosian Gallery, Moscow, Russia
  • 2008 - Retrospective, Gagosian Gallery, 21st Street
  • 2008 - Mosnters and Stuff, Gagosian Gallery, Britannia Street, London, UK
  • 2008 - PRINTED MEDIA IN RECENT COLLAGE, Gagosian Gallery, Madison Avenue, New York, NY
  • 2009 - REAM, Saint Louis Art Museum, Saint Louis, MO (solo)
  • 2009 - Not Something Else, Tomio Koyama Gallery, Kyoto, Nihon (solo)
  • 2009 - Galerie Bernard Ceysson Beaubourg, Paris, French republic (solo)
  • 2009 - Magic Show, QUAD Gallery, Derby, United kingdom of great britain and northern ireland
  • 2009 - Chasing Napoleon, Palais de Tokyo, Paris, French republic
  • 2009 - Six Artists, John Berggruen Gallery, San Francisco, CA
  • 2009 - OFF THE WALL, Van de Weghe Fine Fine art, New York City, NY
  • 2009 - Shaping Space, James Cohan Gallery, New York, NY
  • 2010 - Upwards in the Air, Magasin iii Stockholm Konsthall, Stockholm; touring to FRAC Montpellier, France (solo)
  • 2010 - Tom Friedman and Steve Wolfe, Stephen Friedman Gallery, London, Uk
  • 2010 - Floor Corner Wall, Fort Worth Contemporary Arts, Fort Worth, TX
  • 2010 - The Boneyard, Maloney Fine art, Culver City, CA
  • 2011 - The Sculpture Park at Frieze Fine art Fair curated past David Thorp, London, Uk
  • 2011 - All that Glisters, Stephen Friedman Gallery, London, UK
  • 2012 - Stephen Friedman Gallery, London, England
  • 2014 - Up in the Air, Tel Aviv Museum of Fine art, Tel Aviv, Israel
  • 2014 - Gravity, Stephen Friedman Gallery, London, England
  • 2015 - Looking Up, The Contemporary, Austin, Texas[26]
  • 2016 - Looking Up, 4800 Due south Lake Shore Drive, Chicago, IL
  • 2016 - Looking Up, Park Avenue, New York, NY
  • 2016 - Tom Friedman: Untitled (Foundation), Mead Fine art Museum, Amherst College, Amherst, MA
  • 2017 - Ghosts and UFOs: Projections for Well-Lit Spaces, Luhring Augustine, New York, NY
  • 2017 - Huddle, The Star in Frisco, Dallas Cowboys World Headquarters and Exercise Facility, Frisco, TX
  • 2018 - Ghosts and UFOs: Projections for Well-Lit Spaces, Parrasch Heijnen Gallery, Los Angeles, CA
  • 2018 - Ghosts and UFOs: Projections for Well-Lit Spaces, Vista Mare Studio, Miilan, Italia
  • 2018 - Always the Kickoff, Stephen Friedman Gallery, London, England

References [edit]

  1. ^ a b Archived at Ghostarchive and the Wayback Machine: Montserrat Kickoff 2013. YouTube.
  2. ^ "Tom Friedman - 64 Artworks, Bio & Shows on Artsy".
  3. ^ "Tom Friedman". Gagosian Gallery. 12 April 2018.
  4. ^ Moynihan, Miriam (6 November 2009). "St. Louis artist's imagery is intense". St Louis Postal service-Acceleration.
  5. ^ Baird, Daniel (1 Jan 2002). "Tom Friedman at the New Museum of Gimmicky Fine art". The Brooklyn Rail.
  6. ^ Friedman, Tom (nine June 2014). "Hudson (1950-2014)". Artforum.
  7. ^ "Tom Friedman - 64 Artworks, Bio & Shows on Artsy".
  8. ^ a b c "Tom Friedman: Biography". artnet.
  9. ^ "50: Tom Friedman". The Elaine Danheisser Projects Series. MoMA.
  10. ^ Marshall, Justin (9 Nov 2011). "Beyond Obsessed". Worldrace.
  11. ^ "Serious Playboys: Tom Friedman in chat with John Waters". Parkett. Vol. 64. 2002.
  12. ^ Celant, Germano, ed. (2002). Tom Friedman. Milan: Fondazione Prada. ISBN9788887029246.
  13. ^ Friedman, Tom. Ream. Gagosian Gallery, 2006. Impress.
  14. ^ "Explode Every 24-hour interval: An Inquiry into the Phenomena of Wonder". MASS MoCA. 3 December 2015.
  15. ^ "Tom Friedman's "Looking Upwardly" to be Installed on Chicago'south Lakefront - News - Luhring Augustine". www.luhringaugustine.com . Retrieved 2017-eleven-21 .
  16. ^ "Tom Friedman'south "Looking Up" installed at the James S. McDonnell Planetarium - News - Luhring Augustine". www.luhringaugustine.com . Retrieved 2017-11-21 .
  17. ^ "Dallas Cowboys unveil new sculpture by internationally acclaimed artist". Dallas News. 2017-08-29. Retrieved 2017-xi-21 .
  18. ^ Cotter, Holland; Heinrich, Volition; Schwendener, Martha (2017-x-18). "What to Encounter in New York Fine art Galleries This Calendar week". The New York Times. ISSN 0362-4331. Retrieved 2017-11-21 .
  19. ^ "Tom Friedman: Always the Get-go".
  20. ^ a b c Cooper, Dennis; Hainley, Bruce; Searle, Adrian (2001). Tom Friedman . London: Phaidon. ISBN9780714839868.
  21. ^ Jahns, Tim (1999). Ideas in Things. Irvine: Irvine Fine Arts Heart.
  22. ^ "Tom Friedman". Collection Online. Guggenheim.
  23. ^ Friedman, Tom (2000). Tom Friedman. Winston-Salem, N.C.: Southeastern Middle for Gimmicky Art. ISBN978-1888826081.
  24. ^ Friedman, Tom; Danto, Arthur C.; Rugoff, Ralph (2008). Tom Friedman. London: Gagosian Gallery. ISBN978-0300142587.
  25. ^ Eyerman, Charlotte; Neuman, David (2013). Julin, Richard; Stoltz, Liv (eds.). Tom Friedman: Up in the Air. Skira. ISBN978-8857218946.
  26. ^ "Tom Friedman". Luhring Augustine.

Further reading [edit]

  • Inside the Artist'due south Studio, Princeton Architectural Press, 2015. (ISBN 978-1616893040)

External links [edit]

  • Tom Friedman at Stephen Friedman Gallery, London
  • Jo Applin, 'Bric-a-Brac: The Everyday Work of Tom Friedman', Fine art Journal, Spring 2008
  • Tom Friedman bio from Designboom
  • Tom Friedman at Ceysson Gallery
  • [1]
  • Publication on the creative person Tom Friedman, Ceysson éditions d'Art, 2009

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Source: https://en.wikipedia.org/wiki/Tom_Friedman_%28artist%29